Coaching practices for The War of Art with Friends
Describe almost anything you are working through and IX Coach finds the practices whose real-world fit is closest. For The War of Art with Friends, these are the strongest matches in the current practice library.
Does this sound like the set of challenges you might be facing?
- Every time I avoid the work that matters most I pile it onto the heap of evidence that I’m just lazy or not cut out for this
- I try to do my real work in the exact same spot, on the same screen, where I answer email and scroll and take calls
- My whole approach is to wait until I’m in the mood to do the work, and the mood comes maybe one day in ten, so weeks go by with almost nothing made
- I keep promising myself I’ll get to the work that matters once the inbox is clear and the little urgent things are handled
- A close friend is going through something and I keep just reacting to the words they say rather than reading what they actually need underneath
Practices that may help
- The War of Art, Made Practical
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies. - Name and externalize Resistance
Recognize the internal force opposing your creative work as Resistance — a universal opponent, not a personal failing.
The War of Art, Made Practical - Define your territory: where creative work belongs
Name the specific space, time, and conditions that constitute your creative work territory and defend them.
The War of Art, Made Practical - Turn pro: do the work on a schedule, not a mood
Commit to showing up for your creative work at the same time every day, regardless of how you feel.
The War of Art, Made Practical - Treat your creative work as the highest-priority obligation
Do the most important creative work first, before any obligation that feels more pressing.
The War of Art, Made Practical - Use close friendship as a moral laboratory
Cultivate deep friendships deliberately — they are the arena where practical wisdom is practiced and tested.
Phronesis: Aristotle’s Practical Wisdom - Honor the muse by showing up consistently
Inspiration arrives for those who are already at the desk — consistency is the practice that invites it.
The War of Art, Made Practical - Treat resistance to the date as creative diagnostic data
The louder the resistance to doing the artist date, the more you probably need it.
The Artist Date, Made Practical - Find a truth-seeking group that argues with you
Surround yourself with people whose job in the relationship is to challenge your reasoning, not validate it.
Thinking in Bets - Write to yourself about your struggles as you would write to a close friend
When you are struggling, write a paragraph to yourself from the perspective of a compassionate, wise friend who knows your situation.
Expressive Writing (Pennebaker)
Related concerns
- The War Of Art On A Budget
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies.
- War Of Art Resistance
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies.
- Resistance Creativity Pressfield
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies.
- The War Of Art As A Caregiver
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies.
- The War Of Art At Work
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies.
- The War Of Art For My Teenager
Steven Pressfield’s "Resistance" is his name for the internal force that opposes any meaningful creative or entrepreneurial act. His core practices — turning pro, showing up daily, and treating creative work as a profession rather than an inspiration-dependent activity — are grounded in practitioner wisdom from a working novelist. They align with self-regulation and deliberate practice research but are not derived from formal studies.
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