Step into a scene from your future
Act out a specific future moment as if it were happening now, then work back to what would get you there.
Pourquoi ça marche
In future projection the protagonist moves into the future as if it were the here and now. Orkibi describes it as one of the psychodrama techniques that may change behaviour by letting people try new, more adaptive responses before they need them. Ius, drawing on Sternberg and Garcia's sociodrama text, describes setting the scene in the future, enacting the hoped-for situation, and then working out what would bridge the gap between then and now. Speaking in the present tense makes the future concrete in a way that planning on paper does not.
Comment faire
- Choose a specific moment: a date, a place and who is there (for example, the first morning in a new job a year from now).
- Set the space up physically and step into it. Speak in the present tense: "It is a Monday. I am walking in..."
- Notice what you are doing differently in that scene, and how it feels in your body.
- Step out, look back at the scene, and name one action this month that connects where you are now to that moment.
- For an event you dread, rehearse the version you want to happen, not the worst case.
Données probantes
Future projection is listed among the psychodrama techniques found in the literature (Cruz et al., 2018) and appears in the techniques used by studies in a 2025 systematic review. Its rationale is described by Orkibi (2020) and its sociodrama use by Ius (2020). No study tests future projection on its own, so its value rests on clinical practice. (clinical)
Self-guided future projection is an untested adaptation. Rehearsing a dreaded scene can raise strong fear; if it does, return to the present, and take that scene to a trained director rather than repeating it alone.
Sources
- Orkibi, H. (2021; online 2020). Creative adaptability: Conceptual framework, measurement, and outcomes in times of crisis. Frontiers in Psychology, 11, 588172.
- Ius, M. (2020). Sociodrama as a "potential stage" for creating participative and transformative research on social work with families living in vulnerable situations. Zeitschrift für Psychodrama und Soziometrie, 19(Suppl 1), 63-81.
- Cruz, A., Sales, C. M. D., Alves, P., & Moita, G. (2018). The core techniques of Morenian psychodrama: A systematic review of literature. Frontiers in Psychology, 9, 1263.
- Maya, J., Pérez-Berbel, M., Giraldo-Arroyave, L., & Hurtado, I. (2025). Psychodrama: Implementation, study design and effectiveness: A systematic review. BMC Complementary Medicine and Therapies, 25, 232.
Erreur fréquente
Staging a fantasy so far from your life that nothing connects back. The scene works when it is specific and plausible enough that you can name a first step toward it.
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Plus de pratiques pour Psychodrama Techniques: Role Reversal, Doubling, the Mirror and More
- Warm up before you act
Spend the first minutes loosening up and finding the scene that is actually ready to be worked on.
- Think out loud in a soliloquy
Step to the side of a scene and say aloud what you are actually thinking and feeling but not saying.
- Reverse roles and answer as the other person
Switch places with the person you are in conflict with and speak from their position until you feel how it looks from there.
- Let a double voice what you are not saying
A trusted person stands beside you and speaks, as "I", the feelings you are not expressing, and you keep only what fits.
- Step out and watch yourself in the mirror
Watch your own behaviour played back from the outside, so you can see what others see.
- Map your social atom
Lay out the people who matter to you, at the distances they feel, and see the shape of your relationships at a glance.
- Close with sharing, not analysis
After someone works on something, respond with what it stirred in your own life, not with interpretations or questions.
Concepts associés
- Le travail de l'ombre
Rencontrer les parties de vous-même que vous avez ignorées
- The Empty Chair Technique: Finishing What Was Never Said
Speaking directly to the person you still carry, so the old feelings can finally move
- Two-Chair Dialogue: Working With the Inner Critic and Other Inner Splits
Giving the critic and the criticized self each a chair, so the fight inside you becomes a conversation that can change
- Gestalt Therapy: Awareness, Ownership and Contact in the Here and Now
Noticing what you are doing right now, owning it in your own words, and finishing what keeps pulling at you